But he was dark and subdued, unlike the Brazilians who talked too much and ran their eyes over every woman in the room. He stood up. They went for ice cream instead. Include items such as describing: —a description of your book, including a title —the best part about having that book written —the kind of support you got to help you write the book —the ways your life has gotten better since you wrote the book.
Email that letter to us at support womenwellnessretreats. You are commenting using your WordPress. You are commenting using your Google account.
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You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Like this: Like Loading Pingback: Big Smoke Monday Roundup! Click here for full contest guidelines and submission details. The story is a delight in an issue full of delightful things. Read the full book review here by George Elliott Clarke. How are you working with this idea here? I was really interested in who was reading this book right now, and I stumbled on a group of Good Reads reviews from American high school students who all seemed to hate the book.
But they seemed to hate it because it was boring, that Cooper spent an endless amount of time describing river valleys, rocks, and trees. So I began to wonder what was behind those description of land, landscape, and scenery. And also what happens when you just look at those blank descriptions.
Happy New Year, Malahat devotees!
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The first newsletter of is full of great interviews and sneak peeks at the Indigenous Perspectives Issue , hot off the press. Janet Rogers pictured , this year's inaugural WordsThaw Prize judge, talks with current Victoria Poet Laureate, Yvonne Blomer , about what she'll be looking for in winning poems. Contests: The Malahat has two contest deadlines approaching! Local emerging Victoria authors are encouraged to enter the WordsThaw Prize deadline January 22 , in either micro poetry or micro text genres. Read all about these features and more in the January newsletter.
With just four weeks until the biennial Long Poem Prize deadline February 1 , we encourage you to read the interviews with this year's contest judges! PRISM international 's executive editor of promotions, Curtis LeBlanc , talks with Long Poem Prize judge, Patricia Young , about patience in long-form poetry and the benefits of blind judging in creative writing contests. CL: What has been your experience writing long poems?
Is it something you enjoy and relish, or do you find it frustrating trying to draw out a form that is so often kept short in terms of page count? PY: I've written a few series of poems, poems that are loosely connected by subject matter or theme, or some other organizing principle. More and more, I find myself drawn to the idea of a series because a series provides a larger canvas than a single poem can; it's possible to explore something from many different angles. In that case, I took on the voice of God, and it was that lofty but apologetic and even humble voice that propelled the poem forward.
This issue does not contain any reviews, and is instead devoted exclusively to poetry and fiction. The Malahat 's biennial Long Poem Prize is back! The Malahat 's upcoming Indigenous Perspectives Issue cover art has been released! Fine Art for supporting us in making this cover art happen. Acrylic on canvas, Private collection. Photo by Ken Mayer. The full table of contents for this issue has also been posted.
See the full table of contents for the upcoming Indigenous Perspectives Issue. In his article, he outlines a writer's tough choices when seeking publication: endure long waits from publishers and slim chances of making it with a literary agent, or go the lone route and self-publish? Sarah spent the last few years publishing in literary journals, making the short list of the CBC contest, and finishing her first novel.
She ranked her submission targets, sending queries to agents first. Response times varied from hours, to days, to months, to never. One agent was very complimentary, stressing her taut expression and original thought, before ultimately declining. A few others wanted to charge a reading fee, and that didn't seem right. This issue is anchored by a remarkable final piece. Closing the magazine, we find a page, four-part long story by Steven Heighton. Heighton had just been named a finalist for the Journey Prize the previous year, and received a National Magazine Award for fiction.
Canadian editor and poet, Kate Kennedy , talks with our Constance Rooke Creative Nonfiction Contest winner, Lynn Easton , about family, repetition, and the not-knowing in her winning entry, "The Equation. KK: The phenomenon of not-knowing is something I've come to think of as being almost a specialty of creative nonfiction, setting it apart somewhat from journalism and other types of nonfiction prose. Indeed, it seems to me one of the sustained themes of "The Equation" is this not-knowing. Can you speak to this?
LE: I agree. This not-knowing is the most inviting part of creative nonfiction.
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It motivates me to ask questions that often lead to discoveries about myself and the world. I like the surprise. I find a kind of magic in the not-knowing. In "The Equation," my not-knowing about science was more concrete, which was fun. I wrote my way into understanding a bit more about this foreign world that consumes my daughter and ended up learning more about the two of us as well.
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It's the most wonderful time of the year Interviews: you love 'em, we got 'em. Other interviews include Malahat editor John Barton and writer Elizabeth Ross on cancer and recovery in her memoir, "Evidence of Disease," published in our recent Autumn issue. Publishing Tips: Canadian writer and blogger Oscar Martens weighs the pros and cons of publishing houses versus self publishing. Do you send your manuscript to a publishing house and endure long waits and rejection, or go the lone-wolf route and take on the staggering task of promotion and publicity? Great stocking stuffer ideas this Christmas season for a loved one, a friend, or even yourself.
Discover all this and more in the December edition of Malahat lite. Deadline is January 22, Contest judge is Janet Rogers. Interview conducted by Malahat editor John Barton. Barton: The atmosphere in "Down Burned Road" is not only a product of the "remote" location of Carrie and Yurig's house, but of the "writerly" resonances I also catch. I know of your interest in H. Lovecraft and the story's mention of the Black Forest makes me think of the Brothers Grimm. Can you talk about how genre fiction and folk tales may have influenced you in the composition of this story?
Baker: You know, I can't escape them even when I try. Even when I'm writing "realism. I guess Grimm's fairy tales were the earliest stories I knew. Not from books, of which we had few, but retold to me by my mother. Fairy tales, folktales, Biblical stories. That's what I cut my teeth on. All dark, mysterious. We carry those first stories with us, I suppose, no matter the geography we physically in habit. Celebrate the holidays with one-year subscriptions to the Malahat!
Great digital stocking stuffers for loved ones or yourself. This gift offer comes but once each year. DE: To what extent are you an "experimental" poet? Are you not also a lyric poet and sometimes a narrative one? What poets served as your initial inspirations? WC: I think overcategorizing my own creativity isn't productive. I just read lots and allow myself to be influenced by what I've read in equal measure with how I let myself be influenced by the words I write and overwrite on top of previous ideas and texts. The critical thinking I perform that happens before during and after the words flow somehow make it look like poems.
The process is intuitive, slow, and not afraid of changing and shifting. No one should do what fails to surprise them. The issue is filled with exceptional writing—the two winning entries in the Long Poem Prize, and some fantastic pieces of short fiction. Take a break from election news to read this month's newsletter!
Page at A Celebratory Reading in honour of one of Canada's most outstanding writers. A group of close friends will be reading from her work to pay tribute to her life and accomplishments on what would've been her th birthday. Interviews: Weyman Chan's poem, "Here I Am," appears in our latest Autumn issue , and he lets us in on experimental poetry and the Calgary writing scene.
Horror aficionado Jacqueline Baker pictured discusses fairy-tale influence in her short story, "Down Burned Road. Discover all this and more in the November edition of Malahat lite. Immortality is not easy to come by, but if anyone has attained it, it would be Victoria poet P. On Wednesday, November 23rd at the University of Victoria, a group of writers and friends will gather to read from her works and to pay tribute to the life and accomplishments of one of Canada's most celebrated writers on what would have been her one hundredth birthday.
The reading, emceed by Yvonne Blomer, will be followed by a panel discussion, moderated by Nicholas Bradley. Click here for event details on P. Page's Celebratory Reading. Two very well-known authors in the Canadian literary scene made contributions to this issue—P. Page sat on the editorial board, and Michael Ondaatje provided the cover photo. Her entry, "The Equation," was chosen by final judge Lee Maracle from over entries, our biggest creative nonfiction contest draw to date.
Check out the full announcement page for Lynn Easton's win. We received a record number of entries this year, and are excited to post the finalists. Stay tuned for the announcement next week! This year's contest deadline is two weeks away November 1 , and to sweeten the pot, we're giving away a collection of books to one lucky entrant!
All you have to do is enter the contest, and you'll be automatically entered to win all seven books! Entrants can mix and match their genres and there's no limit to how many times you can enter. JT: This poem both seems to be a critique of Vancouver and a celebration of it. Was this what you were going for, or did you see the poem as exalting even annoyances and disappointments? Or was the poem just about letting everything go for you, acknowledging that everything that is here will one day not be? EK: A little bit of all of that. I have a lot of immoderate ambivalence for Vancouver, and that all came out in this poem.
But I think one of the only ways to cope with living in Vancouver is to sort of face plant into impermanence. Read the full interview here, and listen to a special recorded reading of her poem. It's spooky how much great content is in this month's e-newsletter! Interviews: Vancouver writer and spoken word poet Erin Kirsh talks about her Autumn Issue poem, "Attachments Anyway," and reads it aloud in a special Malahat exclusive recording. Publishing Tip: Canadian writer and reviewer Phoebe Wang pictured delivers a handful of excellent tips to both emerging and established writers on pitching work to publishers.
Submit early and submit often! Digital edition: we're offering a new platform to read on tablets, smartphones, and e-readers to Malahat lovers all over the world! Discover all this and more in the October edition of Malahat lite. The Malahat has gone digital! We now offer digital subscriptions and single issues for purchase to read on your phone, tablet, or e-reader! If you would like to receive both the print and digital editions, bundles are available for the cost of the print subscription.
This bundle option is a limited offer, so subscribe now! Click here to visit the Malahat 's digital store. The poems form part of McOrmond's larger manuscript, Reckon , a collection that tallys our contemporary way of living and what we owe. JB: I hate to ask about pronouns, but reading your newer poems, I was struck by how they differed from those in your most recent full-length collection, The Good News About Armageddon. In that book, the lyric 'I'—the persona at the centre of the long titular poem—demands the reader's attention, even in the face of apocalypse.
In three of your four poems featured in the Summer issue of The Malahat Review , you've eschewed the first-person singular pronoun; I've noticed a move towards a more detached method of observation in recent pieces. Is this a deliberate stylistic shift, or a reflection of the subject matter of the new work? SM: The narrator of that long poem is in the midst of some kind of psychic breakdown.
Most of us are pretty good at tuning out the world and holding our fears at arm's length—we have to be in order to survive. But this speaker's filter is damaged. He is no longer able to look away or distance himself from the noise and chaos of current events. So the lyric 'I' of that poem is really a kind of messy collision of the personal and political, a train wreck of different end-times narratives from supermarket tabloids to religious tracts. It's a very self-reflexive, inconsistent and erratic 'I. If you're a university, college, or high school student this academic year, get a one-year subscription for yourself or a classmate to The Malahat Review.
That's four isues of award-winning poetry, fiction, and creative nonfiction until next year. Continue reading about this week's featured issue write-up by Celina Silva. Her poem, "Introducing Miss Zelda Zonk," was one of three poems published by the author in Issue She lives in Sherbrooke. I leave my agent's office with a pair of black eyes and a socialite's nose. A blob of bovine matter no bigger than a sleeping capsule now corrects my recessive chin. The lye permeates my hair at the antebellum level, drugging every fibre, transforming my head from pulp to paper.
Read the full excerpted poem here. Poetry contributor Steve McOrmond discusses his poems to appear in the Summer issue. Journey Prize Nomination: Short story writer J. This same story won our annual Jack Hodgins Founders' Award for the best piece of fiction to have been published in Buy one for yourself or a friend! Discover all this and more in the September edition of Malahat lite.
Hello Malahat. Malahat short story author J. Click here to read an excerpt. This story was originally published in Issue , Autumn , and won the Malahat 's annual Jack Hodgins' Founders Award for Fiction, honouring the best piece published in the previous year. Read more on McConvey's Journey Prize nomination. The Malahat 's annual Open Season Contest is now accepting entries!
Contest deadline is November 1, Entrants can send work for one or all three genres if they wish! All entries come with a complimentary one-year subscription to The Malahat Review. In her article, she explains the careful tug-and-pull of working with an editor, and reiterates what all writers know they'll one day have to do: kill your darlings. If you've been published, you've probably felt the deft touch of an editor, whether on big picture matters or line-by-line copy edits.
It's a privilege. Imagine, someone actually wants to talk about what you've written. And getting to work with a professional editor on someone else's dime is like receiving a windfall.
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But the benefits are more than monetary. The best editors call up a better me.
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They stretch me as an artist and as a human. Contributors had to send us their work on disks, or else minions like me had to transcribe the story or poem into our computer from the original hard copy I know, right? But it turns out that typing out the poems of others is an excellent exercise for a young wannabe.
In the process, the scribe becomes the poet, breaking lines in the same place and making identical word choices. To produce a good forgery of a Picasso, one must necessarily understand Picasso. The Malahat Review , a literary quarterly published by the University of Victoria, acknowledges that it operates on the unceded territory of the Coast and Straits Salish people, including the Lekwungen family group, Checkonien, and Sungayka village.
Get full details on submitting to the Indigenous Perspectives Issue. Bouchard explores the delicate nature of homelessness, recovery, and moral compromises in his nonfiction piece, "Women and Children," which appears in the Malahat 's Summer issue. FB: Let's start with the genesis of this story.
In the footnote, you explain that it came out of the month you spent living in and around the Las Vegas Rescue Mission in Did you go there with the idea that you would write about it at some point? Did you take notes or write anything about the experience at the time? How did your in-the-moment writing or lack of it help or hinder you in writing "Women and Children"? KB: Yes. I went to the Rescue Mission with the idea of writing about it. The notes and journal entries I made have proved invaluable in writing this piece and in my general reflections on the period.
But the fact that I went to the Rescue Mission in order to write about it, and not because I had to, is also one of the most problematic and complicated factors I have to consider whenever I reflect on my time there. It's an additional layer of the experience that makes writing about it much more complex.
The Summer issue has been mailed to Malahat readers across the globe, and we have great interviews to accompany the writing inside! Interviews: fiction board member Lee Henderson speaks with Elyse Friedman about her latest short story, "Seventeen Comments," and the issues it raises about Internet comment sections. Creative nonfiction board member Frances Backhouse talks with Kelly Bouchard about homelessness and spending time in a Las Vegas shelter as depicted in his memoir, "Women and Children.
Publishing Tip: Victoria writer Tricia Dower explains the careful tug-and-pull of working with an editor , and reiterates what all writers know they'll one day have to do: kill your darlings. News and Contests: time's running out to submit entries to the Indigenous Perspectives Issue deadline August And we've opened submissions for this year's Open Season Contest! Discover all this and more in the August edition of Malahat lite. Need a few more days of sunshine before you hunker down and finalize your creative nonfiction story?
No worries! We've extended this year's contest deadline until Friday, August 5. Send us your nonfiction eg. All entries come with a new one-year subscription or extension of existing subscription! Click here for full contest details, and to submit your creative nonfiction today! This stirring and disturbing romp of a poem is also illustrated by one of a series of works by the Nova Scotia-based artist, Lara Martina , that respond to George's take on Shakespeare's tragic hero, as channeled through Sade. Lara is one of Clarke's long time collaborators.
To celebrate George's most recent appearance in the Malahat, we've assembled a "reader" composed of separate interviews with the poet and with his illustrator, starting with and departing from "Othello You may read the full text of this poem or listen to George's performance of it, recorded while he was the Ralph Gustafson Distinguished Poet at Vancouver Island University in Nanaimo. Click here for the George Elliott Clarke reader.
Ever wanted to add your own comments to a Malahat story? Now's your chance! It satirizes the reality of online comment sections and the role of cyber anonymity as numerous posters flame each other following a review of a trendy new restaurant. We've posted the story online and we're giving readers the chance to add their own comments to it! Read her story online, and add your own comment to the blog section. This issue begins with "Flight," a not-so-short story by Holley Rubinsky d.
At thirty-five pages long, this is a bold choice; the story makes up nearly a third of the issue's length.
At the time, Rubinsky had recently won the first ever Journey Prize, and her short story collection Rapid Transits and Other Stories was a few months away from publication. If you're already well-acquainted with George Bowering's work, then as the author's winking persona George Delsing warns the reader in "Ardell," the final story in 10 Women : "I think you might want to skip the next paragraph.
Into his eighth decade, with over publications to his name, Bowering has two Governor General's Literary Awards, one each for poetry and fiction, and has been prolific in all forms, including drama and nonfiction. But in fairness, there may yet be people who haven't read Bowering—or at least, there were before this reviewer agreed to write the piece you're currently reading, before I found myself blitz-reading his memoir of adolescence, Pinboy , and the debut novel Mirror on the Floor , desperate to find out more about this Delsing character.
Read the full book review here by Daniel Perry. This interview was conducted by Jane Eaton Hamilton. JEH: What are you looking for in a creative nonfiction manuscript? What characteristics strike you and make you know this particular manuscript is a winning text? LM: I still believe that the demands of writing in whatever genre are very similar: nonfiction must capture the imagination in a pragmatic and future oriented way. What is different is of course what the reader does with what they imagine and what they imagine becomes knowledge upon reading nonfiction.
Fiction and poetry affect the reader's belief and nonfiction affects the reader's knowledge, but both require the engagement of the imagination. Click here for contest details and to submit your work today. Saadi's entry was selected from over contest submissions by Steven Heighton.
The caliber of poem was exceptionally high this year, and for Heighton, " Check out the full announcement for Yusuf Saadi's win. Check out this month's Malahat lite e-newsletter for lots of Summer Issue previews! Lara Martina , illustrator for Clarke's poems, lets us in on the magic of artistry and what it's like working with Clarke. Discover all this and more in the July edition of Malahat lite. A relationship to nature and a concern for environmental destruction is prominent, making for a relevant read twenty-six years later, and a fitting read to take outside to the beach or backyard.
We're pleased to announce the shortlist for the Far Horizons Poetry Contest! Over poems were received in total, and careful readers have whittled them down to 13 finalists. Troy Sebastian , a writer from the Ktunaxa community of? Alongside Philip Kevin Paul poetry editor and Richard Van Camp fiction editor , Simpson will read all creative nonfiction submissions for consideration.
LBS: It represents a prominent Canadian literary review—very few of which have published my work, although I have submitted throughout my career. So in some ways, it represents the unattainable for me—a writing community that I exist outside of. The summer issue is set to print in late July, and we have all the book reviews online for you to read! Here's one that's sure to grab your attention It might be counterintuitive, but Catherine Owen believes being a writer involves much more than writing.
In this provocative book she examines the moving parts of the literary community and explains what makes it tick. Starting with reading, which Owen believes is a fundamental part of being a writer, she considers activities such as reviewing, translating, hosting radio shows and even running small presses. Drawing from the experiences of over fifty-eight poets, including herself, Owen explores activities such as performing, research, and translation, as well as creative endeavours like running a radio show or small press, and working with different mediums.
Owen seems particularly qualified to write a book that champions a life of artistic diversity and adaptability. Five weeks to go until the deadline for this year's CNF Contest! As a proud Canadian magazine, we chose these books as prizes to celebrate the diversity of Canada's history and landscape. Click here for the list of creative nonfiction books. Hands up: how many of you have heard of Trevor Ferguson? He may well be Canada's Cormac McCarthy. I make the comparison because McCarthy published his first novel in and from that beginning on, his work was seen by critics as something special.
But it didn't sell for decades. Ferguson published his first book in and has also since been lauded as a master of literary fiction. But he hasn't won the prizes and isn't a household name. All you have to do to understand why his lack of notoriety is a CanLit wrong that ought to be righted, is to read the first offering in this issue of Malahat. June's Publishing Tip comes to you from Julie Paul , local Victoria poet, short-story writer and former Malahat fiction board member.
Looking to go on a writing retreat? Read her advice, pack your bags, and start writing! The act of writing has many requirements, but above all, it needs time. No matter what type of writing you do, or how accomplished or new you are to the art—a lack of dedicated writing time is often the biggest stumbling block in the way of getting the work done. Sometimes ten minutes at lunch is all you have. But what if you want to dive in deeper? What if your project needs uninterrupted time in which to grow and flourish? Rather than forcing a bloom, why not try a writing retreat?
The Malahat Review is pleased to present the three guest editors for its Indigenous Perspectives Issue! All three are Indigenous writers from Canada with numerous publication and award credits under their belts. Full details here on submitting to Indigenous Perspectives deadline August Alongside Leanne Betasamosake Simpson creative nonfiction editor and Philip Kevin Paul poetry editor , Van Camp will read all fiction submissions for consideration. TS: Poetry, fiction and creative nonfiction are categories easily familiar within the Canadian literary community.
Do these categories fit within Indigenous storytelling canon and tradition? RVC: Yes, I believe we speak pure poetry when we're sharing stories that are based on things that have happened or are still happening. I know I spruce up stories I retell. I think everyone does. I hope they do, anyway!
Many of the short stories in this issue are concerned with isolation, love, and loss. They are voice-driven pieces with quirky characters. Continue reading about this week's featured issue write-up by K'ari Fisher. This month's e-newsletter has great interviews, tips and contest information!
Keep reading for literary goodies Legris' poem "Recto: The Bladder. This issue will be published in January and is accepting poetry, fiction, and creative nonfiction from Indigenous writers all over Canada. Former fiction board member Julie Paul , who won the Victoria Book Prize, offers a Publishing Tip to writers looking to get away on retreats.
Read her advice , pack your bags, and start writing! Discover all this and more in the June edition of Malahat lite. The Pemmican Eaters explores Marilyn Dumont 's sense of history as the dynamic present. The collection takes the stuff of textbook photographs and academic appendixes, and sets the figures into movement—a Red River jig of hybridity and complexity.
Jess Taylor recently spoke with J. The story was originally published in Issue , Autumn JT: "Home Range" starts out as a realist short story and continues like this until the ending, where both story and character are transformed into something more fantastical.
Can you tell us a bit about the ending of your story without giving it away and the idea of metamorphosis there?
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Would you characterize it as a transformation or just as a reveal? JM: The ending came last—it didn't occur to me to take the story in that direction until the revision stage. I don't think of it as a physical transformation, nor as a reveal, at least not of something that was there all along. It's more like a breach: a moment in which Kyle's reality is changing fundamentally, which creates the conditions for a kind of blurring between psychological and physical realms. It could serve as a justification, or a rebuke or curse. It's up for Kyle, and the reader, to decide.
As always, Malahat features writers at different stages of their careers, and this issue is no exception, beginning with a genre-hopping photograph by Michael Ondaatje on the cover. More details on submitting to the Indigenous Perspectives issue submission deadline is August 15, Her story, "Next of Kin," was chosen by the three contest judges as the best of total submissions received.
It will be published in the Summer issue of the Malahat. Can't wait for it be in print? Read her interview with Christine Leclerc below where she talks about her winning piece! CL: Such a number of narrative threads run through "Next of Kin. AMT: As far as I remember, Liz's character came to me first, but I always saw her through the lens of another character—a daughter—who eventually became Marian.
If Liz was the originating spark, some version of Marian was always the medium as the first-person narrator. And once you give your narrator the "I," she's in the protagonist's seat—unless you're doing something particularly clever with narrative framing. At any rate, Marian's point of view prevailed, and that brought a particular focus. Malahat alumnus Kevin Hardcastle 's debut short story collection, out with Biblioasis, has already received positive reviews and praise.
Here's a sample of what book reviewer Jamie Dopp had to say about Hardcastle's stunning collection:. The eleven stories in this debut collection are set mostly in the resource towns and countryside of the prairies. The characters tend to be scraping by on marginal work, petty or more serious crime, or to be the castoffs and victims—the debris—of the harsh economic and social environment.
There is alcohol abuse, family dysfunction, violence, and the kind of exploitation that happens when people are reduced to fighting each other for scraps. The stories are told with careful precision, free of authorial judgment, in prose that reminded me of the understated lyricism of later Thomas McGuane or of David Adams Richards. Deadline is August 1. Send us your best personal essay, memoir, biography, travel piece, social commentary, or historical account All entrants receive a complimentary one-year subscription to the Malahat.
This year's contest judge is Lee Maracle. Read all about her here interview coming in the July edition of Malahat lite e-newsletter. Submit your entries to the CNF Contest. Issue 85 opens with a searing story from the late Holley Rubinsky I am on the veranda, reading an eviction letter written by some lawyers in Seattle, Washington. Continue reading about this week's featured issue write-up by Stephanie Harrington. The Spring Issue has been distributed to readers all over the globe, and inside you'll find a fantastic story by Governor General's Award finalist and Trillium Book Award winner Kate Cayley.
In this interview, she talks with Francesca Bianco about artistry, identity and truth as they pertain to her fiction piece. Here's a sample of their conversation:. FB: In "The Ascent," we find a woman—sometimes called "Lady"—who renounces herself "I am not that woman any longer" and puts on a metaphorical habit in order to perform another character. She embarks on a pilgrimage of self-fabrication that ultimately saves her. Writing can be a kind of performance.
What is the nature of that performance for you when putting pen to paper? KC: I think it depends very much on the form. I find short stories probably the most performative because it is possible to sustain a different voice over that briefer journey. With anything longer, the author intrudes. And of course, like Lady finds, the performance becomes itself a real thing.
I suppose it is a kind of salvation, in the sense of something that transforms experience. This month's e-newsletter has lots of info on upcoming theme issues, news and interviews with contest winners, and a National Magazine Award nomination! Winners will be announced at a special gala in Toronto on June 10, and all Malahat staff are crossing their fingers! Founders Award for Fiction winner J. McConvey talks about the theme of grief in his winning piece, "Home Range. Calls for Submissions: we have two theme issues coming up, and we're looking for writers to send us their work!
Discover all this and more in the May edition of Malahat lite. Dear Evelyn. Kathy Page. Charles Foran. Kai Conradi. Samantha Jade Macpherson. Tanya Talaga. Ayelet Tsabari. Alicia Elliott. Anna Mehler Paperny. A Mind Spread Out on the Ground. The Art of Leaving: A Memoir. Older Sister. Not Necessarily Related.